A Leaf With All the Colors of Autumn In It

Found on the street and scanned on my scanner.

Well, maybe it needs a bit more of brown.

I like the decay and the brokenness.

Our State Grass: Bluebunch Wheatgrass

You can pretty much bet that when I say I’m done with a subject (as I said in my last post that I was done with the topic of wild grasses), I will immediately find something fascinating to say about that topic.

Yesterday my daughter was reading a copy of the State of Washington Voter’s Pamphlet which has all the Washington symbols (bird, song, gem, boat, etc.) printed on the cover and I learned that we have a state grass: bluebunch wheatgrass.

Curious to know more about it, I went looking and found a website that features a good description and a photograph of bluebunch wheatgrass. The website features activities relating to bluebunch wheatgrass, including growing it in your garden. I realized that I’ve seen a lot of bluebunch wheatgrass while driving around eastern Washington.

Many years ago I wrote a story for my daughter called “Chester Chases Swallows in the Sagebrush,” about the time we let our dog out of the car on a deserted part of I-90 (the highway between Spokane and Seattle) and he took off running. I think the correct title for the story should probably be “Chester Chases Swallows in the Bluebunch Wheatgrass.”

Speaking of state anythings, did you realize that many states have state dances? Most of them that have a state dance, list “square dance” as their dance. Washington does. Boring. Some are obvious. Hawaii has the Hula. Louisiana the Second Line. Virginia has the Virginia Reel. Both Wisconsin and Pennsylvania list the Polka. Some are not. Ohio and the Charleston? And some are interesting. New York has Lindy Hop. California has West Coast Swing. The Carolinas claim the Shag. And Texas claims the Texas Two-Step (although I might also nominate the Texas Push). The most amazing thing is that I know most of these dances (except the Hula).
I found all of these on Wikipedia,
http://en.wikipedia.org/wiki/List_of_U.S._state_dances
which also has a list of the state grasses, in case you want to find the grass for your state:
http://en.wikipedia.org/wiki/List_of_U.S._state_grasses

Photograph: Loren St. John @ USDA-NRCS PLANTS Database

Last Word in Grass

The other day I was browsing a website I love for its vintage patterns, and I found a photograph of a dress made out of grass. The designer is Robin Barcus, an artist who is currently doing a project which involves creating a dress for each of the fifties states.
This very beautiful grass dress is called Willow Creek Dress in Wyoming, 2006
It perfectly combines two topics I have been exploring in the last month: wild grasses and flower art.

Meanwhile, I found another blogger, the pseudonymously named Henry Thoreau, who has committed himself to a year-long project of identifying wild grasses in his hometown, San Francisco. He is doing exactly what I hoped to be doing and with much more skill and success. We share similar appreciations for the way wild grass prevails in the city landscape and our annoyance at the way modern landscapers plant ornamental grasses in straight rows of clumps.

Henry Thoreau also mentions another blog on wild grasses which is not quite as personal as his writing, but it does provide some awesome photographs and information about wild grasses.

Here are some books that Henry recommended for identifying wild grasses:
Lauren Brown's Grasses (best for the East Coast)
Manual of Grasses for North America, Utah State University Press
In Full View: Three Ways of Seeing California Plants by Glenn Keator and Linda Yamane, with illustrations by Ann Lewis

Because Henry is doing such a good job of finding, identifying and writing about wild grasses, I’ve decided to end my grass identification project (at least for this year, and with the option to take it up again if inspired by Henry’s posts) and focus on other topics. If you are fascinated by wild grasses, I suggest subscribing to Henry’s blog (I will be!).
http://thoreaugrass.blogspot.com/

Crabgrass in my Garden

I love volunteers in the garden, those mystery plants that sprig up and only gradually reveal their character. I’ve got a magnificent mullein that was a volunteer—it always makes visitors gasp—and it’s now the matriarch of a thriving colony of mulleins, most of which I will root out (mainly because they take up so much room).

The woman who gardened in my plot before me planted a plant with red-trumpet-like flowers to attract humming birds. It is more invasive than mint or bamboo. It can't be killed, it sneaks around barriers of metal, and no matter how many times I ruthlessly rip it out, I never win the battle. We are in a struggle.

The newest volunteer in my garden is also in this unwelcome category. In the spring, I noticed a grass that was poking through the branches of my big lavender plant. It gradually spread through my garden in waves, slyly insinuating itself all through the herb and iris bed, then creeping around the back and entering the bed with the dog roses, strawberries, arugula and basil (it hasn’t reached the back bed yet whichis where I am doing battle with the red trumpet flower plant). This plant spreads underground, the white roots creeping through the earth before poking up green shoots in some new location. When I try to rip it up, I sometimes yank out the root, back to its last outpost, but I never seem to be able to track it back to its source. Trying to disentangle it from my small lavender bush, I had to dig up the plant, so inexorably were their roots entwined, and, as a result, the lavender died.

The mystery volunteer is a grass so I finally decided to make it the latest subject in my grass identification project. I plucked a fine mature specimen: tall stem, gay green ribbons of leaves and a seedhead with four horizontal grainy blades like a little heliocopter. Can you guess what it was?

Yes, crabgrass. Unremarkable, insidious, unloved, unquenchable crabgrass. When I googled crabgrass to learn about its name, the suggested combinations were “crabgrass control,” “crabgrass removal,” “crabgrass prevention,” “crabgrass herbicide,” “crabgrass treatment,” “crabgrass prevention,” and “crabgrass kill.” It seems no one wants it around.

My new favorite Northwest plant identification guide (known affectionately as Pojar’s) says that it is digitaria sanguinalis (an interesting name suggesting it has something to do with fingers and blood but I haven’t found an explanation for this name). The explanation for its common name, crabgrass, is that it creeps sideways like a crab, or the nodes look like crabs. The little whirligig at the top of the plant is the inflorescence—it flowers from August to September in our area.

The Plants for the Future website says that the seeds can be ground up into flour and the leaves used to make paper. So nice to know there is a positive use for this plant. I was curious to know how to make paper from grass so I did a little snooping around the internet. Apparently it can be quite a difficult process, involving caustic chemicals. The instructions from Akua at the Art Farm, seemed the simplest.

Resources:
Pojar, Jim and Andy MacKinnon, Revised Plants of the Pacific Northwest Coast, B C Ministry of Fores and Lone Pine Publishing, 2004

Scanned Flower Art?

I thought I was done with the topic of flower art--see below for posts on flower dogs and flower carpets—when I found an article at Human Flower Project about scanning flowers.

Truly amazing pieces of work, although skeptics ask: Is it Art? Is flower arranging art? Are photographs of flowers art? What about X-ray photographs of art?

Several years ago I saw an amazing show of x-ray photographs of flowers at a local jewelry store. Truly art. Unfortunately I can't prove it because I can't find the artist. Whiel searching for her, I did find x-ray photographs of flowers from Hong Pham, Judith McMillan, and Steven N Meyers.
Some of these I think qualify as art--there is artistry involved in the design. Others strike me as simply unique and intimate ways of looking at flowers more closely.

Birthday Flowers

I've been championing the idea of a birthday flower, that is a flower that blossoms on your birthday. And here's the most recent picture of mine: the naked lady or autumn crocus.

These grow in the parkway a few blocks from my house. I love how they mysteriously appear and just as mysteriously disappear. I wanted to pick one but I know they are poisonous so I didn't (although I think maybe only the bulb is poisonous).

Linnaeus named the autumn crocus, colchicum, after Colchis, the island on which the poisoner and sorceress Medea lived. It has even more wonderful common names. I know it as a naked lady. It's a naked maiden in Germany (because it has no leaves, just a bare flower stalk). In France, they are called dog-killers and bare-bottoms. In England, Wilfrid Blunt (who gives this delightful list) mentions the names: upstarts, daggers, kite’s legs, naked boys and naked nannies. While the Arabs call them, he says, the lamps of the ghoul. That's my favorite. Do they look like the lamps of the ghoul? Maybe a little.

Foxtail Barley

I’m making progress on my grass identification project now that I’ve got a copy of Pojar’s Plants of the Pacific Northwest Coast. For instance, this grass that grows in the parkways all over my neighborhood. I think of it as foxtail. And according to Pojar’s, it’s common name is foxtail barley. The Latin name is hordeum jubatum.

Pojar's says it grows along roadsides which explains why I find it in the parkway. Once I brought my specimen inside, the little spikelets starting breaking off. They look like little satellites with their long tails (those are called awns) and their sharp points. Each bristle has barbs that point backwards and these can become lodged and work their way into the nose, mouth, ears, eyes or even intestines of animals that eat them. So right now I’m going to scoop them all up and throw them in the trash, before Pepe, the Chihuahua, finds them.

According to Plants for a Future, it is possible to make flour out of them by grinding up the seeds. The roasted seeds can also be used to make a substitute for coffee. But it’s hardly worth the effort.

On the other hand, when I went looking for references on the Internet to foxtail barley, I found a related plant in the University of Washington herbarium: hordeum pusillum. Now I’m not really sure what I found. Since they are related, perhaps it doesn’t matter.

Wikipedia’s article on barley mentions that barley was a staple cereal in ancient Egypt where it was used to make both bread and beer. The English word beer comes from barley. It is appropriate that I am featuring it in the month of September, for the initiates at the Eleusinian Mysteries, held in honor of Demeter (known as Barley-mother) during the full moon of September, drank a ritual drink (kykeon) made of barley and herbs.

Barley-water (made by steeping pearl barley in hot water) is a popular drink in England where it is often the first food offered to babies. The Victorian Martha Stewart, Mrs. Beeton, includes a recipe for her barley-water in her section on cooking for invalids. Pearl barley is washed in cold water, then boiled in 2 quarts of boiling water. Once the liquid is reduced to half, the barley is strained out. It can be flavored with lemon peel, either afterwards or while boiling.

References:

Beeton, Isabella, Beeton's Book of Household Management, first published London 1861, facsimile Farrar, Straus & Giroux 1977

Poajr, Jim & Andy MacKinnon, Plants of the Pacific Northwest Coast, Lone Pine Publishing 1994

A Hairy Bentgrass?

I wrote in my newsletter about how I wanted to learn to identify grasses--I always like to collect a bouquet of all the wild grasses growing on my block on Assumption (August 15) in honor of Our Lady of the Grain. I went out and found a magnificent speciment in the vacant lot across the street--almost three feet high with some fine seed heads at the top--but then couldn't identify it.

The websites I found through a Google search were not helpful. They wanted details I couldn't provide. To my surprise (and dismay), we don't seem to have a single ruler in the house that measures centimeters. Also I can't see the fine detail of the grass--I don't have a hands len--though I am using the magnifying glass that came with my Oxford English Dicitonary.

Luckily one of my readers recommended Pojar's Plants of the Pacific Northwest Coast. It's amazing. The grass section begins with picture keys which break down the Grass family (Poaeceae) into Tribes: the Barley Tribe, the Millet tribe, etc. To distinguish between the 200 varieties of grasses that grow in my region, it helps to learn technical terms like panicle and glume and lemma. Grasses have their own vocabulary, quite distinct from flowers.

At first I thought my wild grass was a fescue but now I'm leaning towards Bentgrass, possibly Hair Bentgrass (Agrostis scabra). According to Pojar's, the name scabra means rough or scrufy, and refers to the way the grass feels. That's my main clue. When you run your fingertips along the stem and even the panicle branches of my specimen, it feels like sandpaper. I feel no certainty about this identification so if you have a better idea let me know.

Pojar, Jim and Andy MacKinnon, Revised Plants of the Pacific Northwest Coast, Lone Pine Publishing 2004

Autumn Crocus Revisited

Here they are two days later.

I'll check again on my birthday.

In Time for my Birthday

Last year, I wrote about how the amaryllis belladoonna is the flower my mother associates with my upcoming birthday (September 4) because it blooms around that date in Southern California where I was born (Burbank, to be exact). And about how the autumn crocus blooms on my birthday here in Seattle.

And here it is, a week before my birthday. I love how ghostly the flowers look as they emerge from the ground, almost more like mushrooms than flowers in their fleshiness which is probably why they are also known as naked ladies, just like the amaryllis belladonna.

Stone Roses in Bloom

A few months ago I was walking down Twelfth Street past the thrift store operated by an AIDs charity and noticed that the stone roses clustered on the rock wall were sprouting long, phallic protuberances. They seemed odd, emerging so emphatically from the center of those rose-like petals and even more strange when a few days later the top of the fleshy stalk burst forth in red flowers. It gave me a whole new perspective on male orgasm.

But of course, all flowers are in the business of procreation. Just this week, the plants on my balcony went through this same stirring process. I inherited these plants from a gardener at my p-patch who kept them in a stone vase. Very appropriate for their taste (they like to grow on stone) and texture.

The actual botanical name of the plant is sempervivum tectorum. I call them stone roses. Most people call them hens and chicks, a name which baffles me for they don’t at all resemble hens and chicks. Paghat, my authority on many gardening questions, says it is because the central rosette is surrounded by many small rosettes like a hen and her checks (another common name is Cat and Kittens). Other names for these plants include houseleek (they were grown on (slate?) roofs), Thor’s Eye and Jove’s Beard (especially when they are in their phallic mode). According to Paghat, they were called “Welcome Husband” in Dorset where they were grown near the front door so they would be the first thing the husband saw upon coming home from the fields, thus rejuvenating his own member with their exuberant uplift.
http://www.paghat.com/sempervivumalpha.htmlmpervivumalpha.html

They are also said to provide protection from lightning when planted on the roof. That might be because they are under the patronage of the lightning and thunder God, because their leaves (like those of most succulents contain a lot of water, thus preventing a fire) or because the lightning would surely strike the upraised stalk rather than the roof itself.

I went back to snap a few pictures of the plants on Twelfth Street and found the store had closed and the houseleeks had moved on to a new phase: the stalks and flowers had dried, after an enthusiastic proliferation. Apparently, after the bloom, the central rosette is often exhausted and dies back, but if it has produced many chicks, they will live on.

Dogs Made out of Flowers

If you type “flower art” into a search engine, these are the pictures you get (if you don’t count pictures and cards made with dried flowers pasted on paper, which I don’t).

I think they’re pretty cute (the white ones bear a certain resemblance to my daughter's chihuahua) but I haven’t been able to find out where these came from or how to create them (are those pompom mums or dahlias?). Somehow I suspect they’re from Japan. If you have a clue, let me know.

Flower Art

Last Sunday, I spotted the most amazing work of art on my way to my local coffee shop. Someone had created elaborate designs with flowers on the sidewalk outside Horizon Books, the used bookstore in my neighborhood. There were several central medallions, joined by a trail of petals, and a garland on the sidewalk around the bicycle rack.

I was curious about the purpose of the art. A friend suggested it might have something to do with the rumored closure of the bookstore (and if so could flowers ward off such a fate?) but the bookstore isn't closing. A woman apparently thought it was a memorial to the store's cat and rushed inside, only to discover the cat is very much alive. I asked Nick, who works at the bookstore, and he says it was a performance art project. Which reminded me of a homework assignment I once gave the students in an Artists Way class I was teaching.

Inspired by the art of Andy Goldsworthy, I asked the students to create a transitory work of art in nature. For all of us, it opened up new ways of thinking about art: as mystery (what is it? What does it mean?), as temporary (How long will it last?), as collaborative (created with free materials, provided by the earth). It was also for many of the students, the first time they had ever displayed their work to an unknown audience. One woman who constructed a sculpture of tree branches in a public park had an audience as she worked. Others imagined people coming upon their work and wondering about it.

I loved the piece I created. I used a piece of chalk to outline the shadow cast by a young tree on the sidewalk. As the sun shifted overhead, the shadow changed and I enjoyed watching the way the actual shadow overlaid the chalk traces of the former shadow. I also eagerly waited for the next day to see if the shadow would fill in the same chalk outlines, which lasted a surprisingly long time (several days) before they disappeared.

The flower art outside the bookstore also evoked the fabulous flower carpets created as part of Corpus Christi processions, primarily in Italy and Spain. An incredible amount of effort, design and labor goes into creating these gorgeous carpets, which are then walked upon by the procession carrying the sacred Host (the Body of Christ), so that all that is left behind is a blurry vision of what once was. And yet I find this design as beautiful as the original, and perhaps more evocative of the nature of flowers, processions and life.

Eight Random Things

I was tagged by Lunaea and asked to share eight random things about me. Here they are.



1. My ancestress was a Welsh princess (or rather she was the daughter of the last king of South Wales, Rhys ap Tudor, but princess sounds so much better). Her name was Nesta and she married Gerald, a baron who was in charge of the castle the Normans had planted on her ancestral estate, Pembroke Their children were called the Fitzgeralds and later invaded Ireland but that’s another story. Nesta was sometimes called the "Helen of Wales." She was kidnapped by her cousin who was in love with her; she was also the mistress of Henry I who fought to get her back. I spent over 10 years researching Welsh history and made three trips to Wales because I wanted to write a historical novel based on her life and then found out someone else had already done so. The picture on the left represents my rather romantic picture of her and was created when I was participating in the Ancestor Deck.



2. The summer after I graduated from high school was the first summer the Hollywood Bowl hired female ushers. My sister and I were among the handful of girls working with about one hundred guys. Summer nights. Under the stars. Classical music playing. And lots of cute boys. It was a heavenly job, although I never enjoyed classical music (and still don't). My favorite concert featured the Jackson Five in 1970. Our supervisors were worried about crowd control and hired extra security but it was the best behaved audiencecrowd we ever had at the Bowl that summer and the show was fantastic. Michael was 12.

3. My most famous college professor was Angela Davis. I signed up for her class in Existentialism at UCLA during spring quarter 1970. The student strike began after the second class and so we never saw her again (we didn’t go to class and neither did she). I got an A in that class.

4. The worst grades I ever got in my life: a C in Handwriting in third grade. And a C in Balkan Dance at UCLA. I'm still miffed about both of them. Although the C in Handwriting was well deserved. I can't read my own writing.

5. I wrote my first novel when I was thirteen. It featured my best friend, my cousin, and me as orphans who escaped from a cruel orphanage. My second novel written the following year was called Pioneer Polly: it was a historical novel which focused on the life of a young girl with her parents and siblings in a mining town in the Sierra Nevada at the turn of the century. I sold my third novel, a Victorian historical romance called St. John’s Wood, as part of a three-book contract to Doubleday when I was 25. It was followed by Mayfair, Chelsea and Grover Square (published by Jove) under the name Nancy Fitzgerald. I now write female PI novels (three so far) but none have been published.

6. I’ve worked for two museums. I was a Membership Clerk for the Los Angeles County Art Museum and. And an Accounts Payable clerk for the Seattle Art Museum. Neither one of the jobs was very exciting (although my co-workers were great) but I loved wandering through the galleries when the museum was closed.

7. I’ve been a member of two collectives: The Brideswell Collective publishing the women’s spirituality The Beltane Papers in the early 1990s and the Red and Black Collective, running a feminist bookstore, Red & Black Books in Seattle, in the late 1990s. I've also lived in a collective house. Between 1985 and 1987, I lived at Prag House, along with 11 adults and five kids. Prag House just celebrated its 35th anniversary.

8. My not-so-secret ambitions include: taking a perfume class, writing a book about the origins of early Italian martyrs, living in a cottage in Wales, and creating collages that use pictures from travel magazines and brochuresto create new imaginary landscapes.



And now I tag Cate.

Coffee Shop Sketches

Because I'm most likely to be sitting with a pen in my hand in front of a blank page while at a coffee shop, my notebook is full of sketches that evoke my favorite coffee shops.

The sketch at the left, while not accurate (the table and chair are painfully out of proportion to the clock) still captures a bit of the European flavor of Pettirosso, which makes the world's best veggie BLT sandwiches.

Here's a cup of coffee and a lamp from Victrola, my home away from home:

And finally a bouquet of fading flowers at Cafe Argento, just around the corner from where I work.

This one started out as a spirit drawing but I looked at my page as I was sketching the stems in the vase. My pen gave out at the top of the floral arrangement but I thought that simply amplified the theme of fading so I didn't retrace the lines.

I like having these little reminders of my days tucked inside the pages of my notebook.

I Like Notebooks with Blank Pages

This year, because I wanted to practice drawing, I bought notebooks with blank pages, which has changed the way I write.

All of my pages, even those with no pictures on them, have more of a design quality. I'm much more likely to put things in columns, use white space, outline and embellish.

For instance, here's a scan of the notes I took in my last blog class:

Spirit Drawing

Draw bamboos for ten years,
Become a bamboo,
Then forget all about bamboos when you are drawing
Susuki

I first learned about contour drawing in my high school art class. Betty Edwards also describes it in her seminal book, Drawing on the Right Side of the Brain. In blind contour drawing, you put your pen on the page but keep your eyes on the object you are drawing while you trace around its outlines without looking down at the page. It produces mysteriously satisfying results. I used it throughout high school and college classes to capture the likenesses of my teachers, other students in my classes, my shoes and my own hand drawing. Sometimes you get a undecipherable tangle of squiggles. But other times you end up with a lovely sketch that really captures the essence of the person.

Spirit drawing simply takes contour drawing to another level. Jude Siegel in A Pacific Northwest Nature Sketchbook says it's as if “what the eyes sees then travels through the heart (the emotional heart, which can recognize the spirit or essence of an object—something the mind cannot do), then continues down the arm and fingers, and finally through the pen or other tool and is then recorded onto the paper.”

Before beginning to draw, spend time simply taking in the subject as much as possible. Then take your pen (Siegel recommends a pen as it will force you to commit), choose a spot on the subject, and focus your eyes and attention there. Begin drawing, traveling along the lines of the object. If you are drawing a flower, Siegel suggests pretending you are a tiny bug traversing the edges of a petal. Or you can imagine tracing the edges of the object with your fingertip. After tracing the outline, you can being to trace some of the interior edges.

Siegel uses spirit drawing as a warm-up before a more studied attempt and I’ve used it this way. I have to admit that the first sketches are often more lively than the sketches I labor over. As the name implies, they capture more of the spirit of the plant.

For instance, here’s an attempt to analyze the way a plantain plant looks as it bursts into blossom.

And here is a spirit drawing I did of the same plant as it withered and shrunk. I think it has more life (though it’s clearly ebbing away).

Another example of a spirit drawing, this time of a peony, followed by a sketch of the same flower in which I actually looked at what I was doing. Both are appealing and certainly the second one is technically more accurate but there’s a certain peoniness about the spirit drawing.

Although I’ve been practicing spirit drawing on flowers, I’ve also started using it to capture glimpses of my everyday life. I have to admit these are my favorites. For instance, this picture of a dog I saw at Pettirosso one afternoon. It might be hard for you to tell what this is supposed to represent, but for me it vividly recalls that moment when the dog woke up to look at a customer.

If you've never tried contour drawing, try it and let me know what you think.

Can I Draw?

The answer to the question is: I wish.

During my high school years, while hanging out with the other nerdy girls (although we wouldn't have called ourselves that), I secretly longed to be one of the Artists. Those were the cool girls: they were beautiful and talented and oh so sophisticated.

Although I did make friends with a few of the arty girls, and even hung out with them for a few school lunches, I couldn’t fool our art teacher, Miss Gabrielle. I loved all the projects I did for her: a papier mache dog, a mosaic (of a peasant cottage), a tapestry (of a Spanish city). But she knew I wasn’t an artist. She acknowledged my art work with a nod of her head, while heaping praise upon her pets. And, I think she must have had a good aesthetic sense, because all of her favorite students, have gone on to become working artists. And that is amazing, considering how many people make a living as artists. Lisa Leone is an art director. Mary Heebner is a fine artist (also the subject of an entry in Wikipedia. I think this is my new goal!). Jane Bauman teaches art.

Despite Miss Gabrielle’s discouragement, I’ve always dreamed in design. It used to be that when I closed my eyes I would see designs for fabrics, for china, for wrapping paper, flashing behind my eyelids. These went away as I got older. Where did they go? Perhaps they atrophied out of misuse. But even now when I look at the plates from old herbals, the ones I like the most are the ones in which plants are “reduced to decoration” or “stylized beyond recognition” in the words of Wilfrid Blunt in his book The Illustrated Herbal.

William Morris is one of my heroes and my current wall calendar features his amazing floral patterns. Perhaps I was his wife, Janey Morris, in a former life and my visions of designs were simply etched into my brain because of all those hours spent embroidering them into curtains.

It’s with excitement and a great deal of trepidation that I began drawing again, using the simple technique of contour drawing I first learned from Miss Gabrielle to try to capture the flowers I’m studying. I’ll tell you more about that tomorrow. And even share a few drawings. If I get my courage up.

Fashions in Landscaping

At the start of the year, our landlord decided to redo the landscaping of our apartment building. In January, he instructed his henchman (that would be the handy man) to cut down the beautiful cherry tree that grew beside the front porch. I tried to rally my neighbors to save it but I was too late. A few months later, all the other plants followed: the tulips and daffodils my upstairs neighbors had planted and the woodruff and iris I planted in the beds next to the building, a strip of useless grass (useless because no one could ever get to it because of the juniper border) and finally the prickly, hideous junipers that lined the sidewalk. I have to say we were all happy to see them go.

But I am not happy with the new landscaping. There are two Italian cypresses, each planted about halfway between the front door and the ends of the building. There are also two Japanese maples close to the porch, one on each side. And then a scattering of rhododendrons, hebes, sweet box and mountain laurel, all drowning in a sea of brown mulch. It’s the kind of soulless landscaping you could find on any block in Seattle.

Just as flowers and architectural styles go in and out of fashion, so does landscaping. In my neighborhood—which has a mix of housing including brick apartment buildings from the turn of the century, apartments from the Fifties and Sixties that look more like motels, a few houses and some brand-new condos—the landscaping is equally diverse. Yet you can always tell which properties are rentals and thus which yards are maintained by gardening services. They tend to have a generic feel.

The popularity of junipers I suspect dates from the Fifties and Sixties, at least that’s when my dad planted them all around our house in Southern California. I believe the mountain laurels. viburnums and rhododendrons were the choice of the Seventies in Seattle. This is probably the same era responsible for the ornamental St. John’s Wort which shows up everywhere as a ground cover. Then there’s the more modern landscaping that uses drought-tolerant, indigenous plants like salal, covering the area with low ground covers. It’s easy to maintain and environmentally sound but not particularly interesting.

I prefer the yards on my block where I can see an individual aesthetic at play. I still call one house the rose lady’s house, though she sold it years ago. Her front yard was completely covered with rose bushes and she kept it free of other plants, except for a few stray violas. The current owner has kept most of the roses but let some other flowers spring up and it looks a bit softer. There’s an apartment building around the corner where someone went crazy with herbs and I can find rue and wormwood, plus the more usual rosemary and lavender. Another householder really loves the little ground-covers. He has all the sedums plus some sea thrift and other tiny plants surrounded by neat white gravel and stepping stones of concrete blocks. I suspect the inside of his house would display the same tendency towards fussy order and clean lines.

A few months ago I visited my brother in Ventura. He lives in a house built in the Fifties, probably around the same time as our childhood home (it has a similar look and feel). The landscaping seems to date from that era as well: the front lawn, the bottlebrush in the front yard, the bougainvillea spilling over the back fence, the citrus tree with its fragrant flowers. It was great to be back in the landscape of my childhood.

Star Jasmine

I wrote about Jasmine on June 14, 2006, when it was the flower of the day in the French Republican calendar. But I’m dreaming of it again this week, as every time I walk up the steps to my apartment building, I am cloaked in the sweet fragrance of jasmine.

A few years ago our upstairs neighbors, Beth and Julie, planted a jasmine that is twining up a pole on the right hand side of the porch of our brick apartment building on Capitol Hill. It's the only plant that survived our landlord's recent demolition of the old landscaping and installation of a new Mediterranean scheme e l(thanks to Beth and Julie’s advocacy). It began blooming a few weeks ago and now the plant is covered with small, white, fragrant stars.

I spent the last few days researching it but still couldn’t identify the flower and was just going to try making a tea out of it (bad idea! Never eat a plant you can’t identify) when I plucked a sprig, noticed the milky sap and tried googling “white fragrant flower milky sap.” That’s when I found out our jasmine is not a true jasmine but a star jasmine, aka Confederate jasmine.

True jasmine is in the olive family. The star jasmine is in the dogbane family (does that give you a clue as to its edibility?). Also in the dogbane family: oleander (the poisonous flower which grew all over Southern California where I grew up—we were always being warned about them with stories of kids who died after roasting hot dogs on oleander twigs) and a plant called the cockroach plant (the sap and/or dried leaves are mixed with molasses and used to kill cockroaches, flies and lice, and as a lotion to repel mosquitoes and fleas).

I’ve been trying to draw a picture of the flower for the same number of days but it’s hard to get right. The five white petals unfurl from around a pale green center into an absolutely symmetrical (there’s that word again) five-pointed star. They’re almost like little pinwheels. This photograph captures it perfectly:
http://www.flickr.com/photos/30268343@N00/135208660/